MFA Education is the best investment.
The program was extended to include several additional skill-building classes and to space project deadlines out to enhance student productivity.
The Academy makes the accelerated two-year schedule possible by creating an extended academic year, allowing students to complete three full-length semesters in each calendar year. The New York Film Academy recognizes the critical role writers play in the creation of every film and television show.
Yet writing talent alone is not enough to create successful work in these mediums. Screenwriting is a learned craft, and a writer must write every day to train for the demands of this field, and to truly understand the elements that make a screenplay or teleplay functional as well as engaging.
In addition to learning the conventions of the writing craft, students are given the support and structure to write and meet deadlines. Students write intensively throughout the program and complete several projects with the assistance of constructive critique from instructors, as well as peers.
There is a focus on film and television, but MFA students will also study comics, web series and games. Upon completion of the program, students not only understand story structure, character, conflict and dialogue, but also leave the Academy with finished products that they can pitch, produce, and try to sell.
In the MFA Screenwriting program, students are taught the art of screenwriting through workshop courses that have them learn by writing, but also in skill-building courses that focus on film history, film genres, and specific skills, like scene construction, adaptation, and character building.
Students also study filmmaking, acting and editing, to get a complete sense of how cinematic stories are told. In addition to stories, treatments and scripts, students will also create, direct and edit their own short film and their own web series pilot.
These classes require students to get an internship in the industry. Students are encouraged to be creative, but are also taught to think of the screenplay as the definitive industry tool for articulating ideas or concepts to a production team, including producers, financiers, directors, and actors.
Clarity can be as important as creativity.
Standard formatting and industry expectations will be studied and analyzed during writing workshops and lectures. Students will study what makes for a good story, and learn to seek stories in the world around them.
Students will write a short film screenplay and their first feature-length screenplay, and develop story ideas for spec episodes of existing television series. Cinema Studies will also provide students with a theoretical and historical perspective on the film industry and screenwriting over the past years.
Elements of Screenwriting, where they learn the tools of writing, from format, to pacing, to dialogue, to theme, and put that all together to write a script for a short film. Introduction to Television, where they study the history of television and learn television pacing and structure, and study existing TV shows and plot sample episodes of those shows.
Cinema Studies, where they study the history of film as a medium and an art form. A feature-length film screenplay. A beat sheet for a one-hour television drama spec script. A beat sheet for a half-hour television comedy spec script.
A short treatments for three possible feature-length films. A script for a short film minutes. In an advanced workshop, students will take a treatment for a feature film written in semester one and build a detailed beat sheet before writing this as their second feature film screenplay.
They will also take their television beat sheets and write spec or sample episodes of existing half-hour and hour-long series. Students are expected to share material in workshops.
Students will rewrite the short script written last semester, and will also study acting techniques and direct and edit their own short film, in order to achieve a better understanding of how the written word translates to the screen.
Students will also explore the conventions and expectations of genre storytelling, and the principles of adapting non-cinematic source material into feature film ideas.
Adaptation I, where they learn the skills needed to adapt non-cinematic source material books, comics, life rights, magazine articles, and more into stories for feature films.
Script to Screen, where they study acting, directing and editing, act in a scene shot on the Universal backlot, and direct and edit their own short film based off the short script they wrote in semester one. A second original screenplay. A spec teleplay for an episode of an existing one-hour television series.
A spec teleplay for an episode of a half-hour television series. They learn the techniques and principles of rewriting, and put them to use on one of their feature screenplays. They broaden their understanding of the medium of television by developing material for an original TV series pilot script.
They take their first business course, learning how to navigate the entertainment industry. They also begin taking classes in transmedia, learning about franchises, story worlds, and additional media that they will explore in-depth in later semesters.
Pilot, where they create an idea for an original TV series, create a proposal for it, and write the script for the pilot episode. The Business Of Screenwriting I, where students learn about the entertainment industry and research possible internships for future semesters.BFA or BA/BS: What's the Difference?
What is the difference between a BFA and BA/BS degree? Many of our prospective students have trouble deciphering the difference between a Bachelor of Fine Arts (BFA) and Bachelor of Arts (BA) degree and Bachelor of Science (BS) degree.
Title: Founder and CEO. Organization: 50 Eggs. Presentation Title: I AM JANE DOE and Section Presentation Description: I AM JANE DOE, which premiered in February of , has been an incredible catalyst for change, including legislation which was filed in the Senate and House of Representatives in response to the film, to amend Section of the Communications Decency Act.
While there are many types of ways to get an education in musical theater in college, the two most common degrees received in musical theater are the BA and the BFA. I've composed a small summary of what has been written on the board about the differences and similarities between the two.
BA BA stands for Bachelor of Arts.
In this class, fine artist Becca Schillinger will help you put your pencil to paper and develop your own chill sketching practice. You will learn a variety of mark-making and rendering techniques, focusing on drawing methods that are fun, easy, accessible, and require NO previous fine art experience.
Both the BFA and BA are part of the College of Arts and Sciences. This means that you will choose from additional liberal arts courses in other subject areas (such as Communication, Computer Science, English, Math, Psychology, and Sociology, to name a few) to provide a well-rounded and versatile education.
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
Feb 06, · BFA vs BA. BFA and BA are both undergraduate degrees that are awarded for arts. BA is Bachelor of Arts, and BFA is Bachelor of Fine Arts. One of the main differences that can be seen between BA and BFA, is that one is a general degree and the other a professional one/5(15). Tips for Writing an Effective Cover Letter Looking for a job? An effective cover letter can help you make a strong first impression and stand out from the pool of applicants. The College of Arts & Media offers bachelor of arts (BA) and bachelor of fine arts (BFA) degrees in the areas of fine arts and theatre, film and television. Students wishing to pursue a major in fine arts or theatre, film and television must choose between a .